Front Door Fabulous

I always love to see what colors people paint their houses - particularly if they are interesting and fun.  My husband has a problem with this when I’m the one driving…he’d much rather I watch the road then stare sideways (and sometimes backwards) to get my color fix.  Sometimes you come across a house that is so fun you wonder if the mailman needs migraine medicine in order to deliver. 

There are many houses more simple in detail that don’t call for a multiple-color paint job.  I find that for these houses a fabulous front door does the trick.  You have a single focal point, an idea of some personality and a fun little zing to appreciate as you go by.

My last house was an Italianate Victorian from 1847 with tons of detail- we had fun with the colors of that house:

Melissa Gulley Style

My husband and i have gotten quite good at fixer uppers and have one we are in the middle of.  Our current house is a more simple Victorian from the 1890’s.  I will not stain your brain and risk injuring your eye’s with a photo of its exterior, but it is BUTT UGLY!!!  It has aluminum siding from the 1950’s that covers every single inch of it- even over the window and door moldings.  If that’s not bad enough we accurately named the color: Pallor.  Our house is the color of pasty English people’s skin (I can make fun of this, I’m English by descent) when they have never been in the sun, don’t exercise, smoke two packs a day and don’t eat vegetables (perhaps just minutes away from contracting full blown rickets).  There is not much that I can do to improve this until we rip off the siding and reface the whole huge place, and we have SOOOO many other things to do first.  The only thing we’ve done is paint our pretty double Victorian front doors Turquoise.  Within a week I’d gotten a positive comment from everyone in the neighborhood - they were obviously desperate for something to be done.  This little festive color upgrade did so much, I then added various turquoise planters and flowers.  Sometimes it’s just a little touch that makes it:

The best part of having fun with the front door is being able to easily change it.  It only takes about an hour, so it is a great project for the commitment-phobic!

YIKES a snake!

Antique snake jewelry!  To me there is something so beautiful about organic shapes and symbols done in precious metals and stones.  To make the common into decadent art is so appealing.  Now I know my Mother-in-law (deathly afraid of snakes) will read this and think the last remaining small bit of my brain has finally drained from my head (hi Nanc), but these pictures are truly stunning.  I was recently in a jewelry store and the owner told me that people have been melting down antique jewelry and selling the gold in this bad economy.  The gold, he said, can be worth more than the antique piece (many of which are very heavy). 

Blasphemy!!! 

 

In the Victorian era, the snake symbolized eternity, vitality and life.

"In many cultures it is believed to protect one from evil spirits…It is the mystic representation of the snake that fascinates many people. Take the Egyptians. The snake was worshipped and feared. The native American’s saw the snake as a healer and so on.” Jane H. Clark

"The SNAKE or serpent was the symbol of royalty and deity in early Egyptian society. Victorian jewelry often used an entwined snake to symbolize infinity and eternal love. Over the years the snake has also come to symbolize sexuality, rebirth and wisdom.
While serpent motif jewelry goes far back in history, it's popularity really spread starting in the 1840s and peaked between then and the 1860s (Understanding Jewelry, Bennett, pages 88 & 104).

Whatever, i just love it.  Hey Kev, my birthday’s in a month.

I’ve Been Clocked!

If you don’t know by now I have a pretty healthy obsession with the color turquoise.  It all started with a tiny French carriage clock given to me by my grandmother (who also LOVED the color)  This tiny clock was a gift from her father after he returned from a long trip to France in the early 1900’s.  He brought back three clocks for his three daughters, all somewhat similar- except for the color.  My grandmother Alice had turquoise, her sisters Ines and Winn had pink and yellow.  See my beloved clock below:

This clock started my obsession with turquoise, as well as a collection of Guilloche with enamel.  According to Wikipedia:

Guilloché, phonetically pronounced gee-oh-SHAY is a French word for the process of engraving either by hand or by machine intricate repetitive patterns.  Guilloché, is an engraving technique in which a very precise intricate repetitive pattern or design is mechanically etched into an underlying material with fine detail. Specifically, it involves a technique of engine turning, called guilloché in French after the French engineer “Guillot”, who invented a machine “that could scratch fine patterns and designs on metallic surfaces”. The machine improved upon the more time-consuming practice of making similar designs by hand, allowing for greater delicacy, precision, and closeness of the line, as well as greater speed.  Yet another account is that it derives from the French word for an engraving tool, not the engine turning machine.

Further details on Guilloche from e-Bay:

Although Enamel and Guilloché was used, pairing-first, applied by Peter Carl Fabergé on the Faberge eggs in the 1880’s-they are nevertheless two separate techniques and were not applied to one another until Fabergé.
Below is a picture of Guilloche with out the applied enamel:

Next group of pictures below are examples of Guilloche after enamel:

The machines used to create guilloché designs are no longer produced. Today true guilloché can be found in mostly luxury watches and then only a very few companies practice the art.  The guilloché technique can be seen in various antique and vintage jewelry and vanity items from compacts, pocket watches and  dresser sets to charms.

 And then of course, there is my favorite- CLOCKS.  See below a bevy of clocks to delight the eyes:

    

Because this process is no longer practiced, these items have become very desirable, expensive and hard to find.

Obsessions: Opaline

Now many of you know I have various things I collect.  Entering my house you are, of course, struck by the vast turquoise accents.  Many of my collections were inspired by my Grandmother Alice.  One such collection is Opaline Glass and it started with these lamps that I adore- my family is so afraid to break them that they make me put them in a place where they rarely go (whatever- as long as they stay intact).

Opaline is a semi opaque, hand blown, hand polished French glass that began in production in the early 1800’s.  White and blue are the most popular colors but the other colors pink, green, yellow, red, black and lavender are more expensive due to rarity.  Although Italy and England have produced glass similar to Opaline, real Opaline was only produced in France.

Below see some examples of the blue color which can range from an intense medium blue to turquoise and aqua.  The picture of the lamps shows a particularly translucent variety.

White Opaline was the first color Opaline, and is created with bone ash which gives it the white color.  Opaline has a very high lead content and with oxides of anatomy and arsenic the other colors can be achieved.  When you hold the white Opaline up to the light you will see a red color radiating from where the light shows through.

Here are some examples of pink:

 

Even though the glass looks so translucent you would think it’s paper thin, it’s not and actually has some heft to it.  It is much thicker than you would imagine.  Here are some green and yellow examples:

And of course red, lavender and black:

Information gathered from House Beautiful article on Opaline Boxes, January 2001.